
Girish Karnad's clear-eyed, unsentimental and even self-deprecatory view of the city seems rare in the Indian narrative imagination, which continues to nurse the notion of ‘the village innocent’ vs ‘the city corrupt’.
Girish Karnad's clear-eyed, unsentimental and even self-deprecatory view of the city seems rare in the Indian narrative imagination, which continues to nurse the notion of ‘the village innocent’ vs ‘the city corrupt’.